The subjects interviewed for Underground Rhode Island were selected, among many possibilities, for several reasons. The eldest were likely to have been part or the "hip" scene around jazz and the Celebrity Club of the 1950s. More than a few had a connection with AS220 and its circle, at some time in the past. And the youngest members have been active in the Rhode Island arts scene, in one way or another, during the last twenty years or so. Not all are either "lost" or "unknown"; some of them have long been prominent. And yet they represent a self-consciously offbeat take on the mainstream culture of Middle America. They are "underground" even when "overground," part of a world more recognizable to Allen Ginsberg (or Bruce Springsteen) than the people in the White House or Wall Street. And they were intriguing to the students who chose to interview them.
You may expect to find a photo--not necessarily from the recent past--a short biography, a recording of the subject's own voice, a verbatim transcript of the interview, and links to related materials. Not all these are present for each interview--some are still being gathered (or recovered)--but they definitely represent a sense of a life and creative work within that life.
Dorothy Jungels was born in Chicago, Illinois in the 1930's and is known for her contribution in dance. She started taking ballet classes when she was 15, attended Alverno College in Wisconsin, and moved to Providence when her husband became a professor at RISD, where she later taught dance. In 1975, she got a job with the Rhode Island State Council for the Arts teaching dance to the elderly, and studied with Katherine Dunham. After teaching at RISD, she was instrumental in beginning the Everett Dance Theater in 1986; she remains the creative director there, and has been named one of the eight most influential people in the arts in Providence by the Providence Phoenix. The company has performed a number of all-original touring shows, including The Science Project and Somewhere in the Dream.